Morari Bapu Begins Nine-Day Ramcharitmanas Recital at Harvard University

Indian spiritual leader and renowned Ram Katha narrator Morari Bapu has commenced a nine-day recital of the Ramcharitmanas at Harvard University, bringing the centuries-old Indian spiritual tradition to one of the world's leading academic institutions. The programme, titled “Manas Guru Prasad,” began on August 15 at Harvard University's Sanders Theatre and will continue until August 23.

The event brings together traditional Ram Katha narration and academic discussions on the Ramayana, its literary traditions and its influence across different cultures. Scholars and speakers from several countries are participating in sessions exploring the epic's diverse interpretations and its cultural journey across Asia.

The programme also includes discussions on different Ramayana traditions, including versions associated with India and Southeast Asia. The sessions are aimed at examining the epic from literary, cultural, historical and philosophical perspectives. A key occasion during the nine-day programme is Tulsi Jayanti on August 19, which commemorates Goswami Tulsidas, the poet-saint traditionally credited with composing the Ramcharitmanas.

Morari Bapu has spent decades presenting Ram Katha to audiences in India and around the world. His storytelling is centred on the teachings and values associated with Lord Ram and often connects traditional scripture with contemporary social and personal concerns. The Harvard event is significant because it brings a devotional storytelling tradition into an academic environment, creating a platform where spiritual interpretation and scholarly study of the Ramayana can take place alongside each other.

The Ramayana has travelled far beyond India and has been adapted into different languages, art forms and cultural traditions across Asia. The Harvard programme seeks to highlight this diversity while exploring the continuing relevance of the epic's themes. The nine-day recital is scheduled to conclude on August 23, with the programme being followed by audiences both at the venue and online.

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