In yet another reminder of the persistent piracy crisis facing the global film industry, Ranveer Singh’s much-talked-about blockbuster Dhurandhar has reportedly surfaced in Pakistan through pirated channels, despite being officially banned during its theatrical release.

The film, which generated significant international buzz and performed strongly in several markets, was barred from release in Pakistan and parts of the Gulf region. While authorities did not publicly elaborate in detail, such bans are often linked to political sensitivities, content concerns or regulatory issues.

However, the ban appears to have done little to curb public curiosity. According to reports, pirated copies of Dhurandhar are now circulating across Pakistani markets and online platforms, allowing audiences to access the film unofficially. Street vendors and digital sharing networks are said to be distributing low-quality prints, a common pattern in regions where major releases are restricted.

Industry analysts say this development once again highlights a paradox: banning high-profile films can sometimes fuel greater demand in underground markets. When audiences are denied legal access, piracy often fills the gap depriving filmmakers, distributors and legitimate exhibitors of revenue while strengthening illicit networks.

Piracy remains a multi-billion-dollar challenge worldwide, with South Asia frequently cited as a hotspot for unauthorised distribution. Weak enforcement, limited cross-border cooperation and high demand for blockbuster content create an ecosystem where banned or delayed films quickly leak into black markets.

For producers and studios, the financial impact can be significant. Beyond revenue loss, pirated releases also damage viewing quality and undercut box office momentum. In politically sensitive cases, unauthorised circulation can further complicate diplomatic or regulatory tensions.

The episode underscores a broader issue facing the entertainment industry: in an age of instant digital distribution, outright bans rarely eliminate access. Instead, they often shift consumption from regulated cinemas to unregulated networks leaving authorities with less oversight and creators with fewer returns.

As Dhurandhar continues to draw attention beyond India’s borders, its unofficial entry into Pakistan serves as yet another example of how piracy adapts swiftly to censorship and how regional bans can struggle to contain global demand.

This image is taken from News18.